A CURSE OF ASH AND IRON and The Cape May Diamond

Published July 15, 2015 by christinenorris

During the course of CURSE, Ellie (the main character, if you haven’t read the book yet. And WHY NOT??) has to find a Cape May Diamond.

This is a real thing.

I’ve been a Jerseydelphian (someone who lives in Jersey, but whose ‘big city’ is Philadelphia) for my whole life. So when i went to write a steampunk Victorian fairy tale, it only made sense to put it in Philadelphia. I mean, the Centennial Exposition, which I already blogged about, was just one reason. I love where I live, it has SO much cool stuff. Like Cape May Diamonds.

What is a Cape May Diamond? It’s not a real diamond, of course. It’s a piece of quartz, broken off from the Delaware Water Gap. It falls into the Delaware River and is pushed downriver, being polished by the water, until it washes up on the shores of Cape May. The most famous place to find the Cape May Diamonds is Sunset Beach (where the Atlantic and the Delaware Bay meet, and you can see a sunset on the beach from the East Coast). Cape May is the first real beach resort in the US, and full of ADORABLE Victorian houses. It’s like stepping back in time!

It also has some cool WWII Coastal Defense relics that you can see, too. Anyway, the whole beach at Sunset is made of pebbles.

Any given day there are dozens of people there, digging through them and looking for diamonds. When they are tumbled and polished, they can be clear as water:

Or just shiny and opaque with pretty swirls:

And they can actually be cut like a diamond.

And made into pretty jewelry (available at the Sunset Beach Gift Shop):

These bits of stone are mysterious and a little bit magical, at least to me. And they’re uniquely New Jersey, so I had to include them in the story!  If you ever have the chance visit Cape May, NJ, make sure to stop by Sunset Beach and see if you can find a magical stone of your own!

Until next time, Lovelies!

Excerpt 1: A CURSE OF ASH AND IRON

Published July 14, 2015 by christinenorris

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I present you all, my lovelies, with the first excerpt of CURSE:

The roar of applause jolted Ben out of his reverie. The lights lowered, he raised the curtain, and the second act began. In between set changes, he dashed back to his place to look at Ellie. The performance ended, and Ben couldn’t let her go without one last look. He lowered the main curtain, apparently a bit too quickly for the lead actor.

“Excuse me, but I was not finished with my curtain call!” he shouted at Ben as he dashed toward the stage door. Ben tumbled out onto 9th Street and charged toward the corner. Breathing hard, he peeked around to Walnut Street and the theater’s entrance. A line of horse-drawn carriages waited by the curb, ready to take the audience members home, or to a late supper, or to various clubs to drink bourbon and gin. Ben reached into his pocket, his fingers finding a brass gear–his lucky talisman. He rubbed it between his forefinger and thumb, trying to calm the unexpected swell of conflicting emotions that seeing Ellie had stirred in him—curiosity, excitement, anticipation. Did she still love to sing and dance, or to read everything she could get her hands on? The space of the years between then and now called to Ben, begging to be filled.

He scanned the stream of bodies that emerged from the theater’s polished wooden doors and spilled onto the sidewalk. Ladies pulled their wraps snugly around their shoulders against the October chill, and men checked their pocket watches before buttoning up frockcoats and securing silk top hats. Ben shook his head—they looked like a bunch of overstuffed turkeys ready to roast. He had never been fond of fancy dress, not that he had the occasion or the means to wear any. It looked uncomfortable and also like it would get dirty easily. Ben was nearly always dirty in some manner, with some speck on his shirt collar or grease beneath his fingernails from working or building something in his workshop.

Ellie, Rebecca, and Mrs. Banneker appeared on the sidewalk, and Ben had to remember to breathe. Ellie’s cloak covered her gown, but she stood tall, moving as if her feet barely touched the ground. She had always been graceful. Dancing lessons, insisted upon by her mother since she was young, had probably helped. Ben smiled as the younger version of the girl he saw before him appeared in his mind, twirling and curtseying in time to her governess’ tapping on the floor with a cane while Rebecca served as her dancing partner. He hadn’t been allowed to watch, of course, and Ellie’s governess would rather have set her hair on fire than let Ben stand in for Rebecca. But he had sneaked a peek now and again, just like he was doing now.

Ellie looked over her shoulder in response to her stepmother’s call, and Ben got a glimpse of smooth, unblemished cheek and kind, soft eyes. Ben noticed it again, the same something he had seen in the lobby that made her appear older, more careworn. He wasn’t sure what it was, but he recognized it—he had seen the same look in his mother’s eyes once in a while, when she thought Ben wasn’t paying attention.

He wanted to call out to Ellie, to shout his joy and surprise over seeing her, but, of course, he could not. The social gap between them was too wide for sidewalk greetings outside the theater.

“Where is Mr. Banneker this evening?” one of the stuffed turkey-men asked Ellie’s stepmother. “I’ve not seen him in months. Not working late on a Friday evening, is he? The banks are all closed!” He chuckled at his own joke.

Mrs. Banneker stiffened beneath her fur wrap. “He is on sabbatical in Paris, Mr. Van Wyck. I thought you knew? Then he’s taking some time along the French coast. We went there on our honeymoon, and, ever since, he’s just loved France. The sea air is so good for him, and these city winters are so terrible.” She twittered a girlish, high-pitched laugh.

 Ben fought the urge to vomit. The woman he remembered was neither stupid nor girlish. More like a demon stuffed into a dress.

He was so focused on Mrs. Banneker he almost missed when Ellie spotted him. Her wide-eye, puzzled expression shifted to recognition and surprise, and she moved half a step toward him, then stopped. She must have been thinking the same thing as Ben—she could not just walk around the corner unescorted. But she held his gaze for a  moment and then glanced to her left and right. Turning herself away from the crowd, she pulled off one of her gloves and shoved it into her reticule. What in the world was she was doing?

“Excuse me, Ste… ma’am? I seem to have lost one of my gloves.”

Mrs. Banneker turned away from Mr. Van Wyck and faced Ellie. Her face puckered for a split-second in irritation, smoothing quickly into a look of benevolence. “Lost a glove, my”—she swallowed, her lip twisting up as if she had tasted something bitter—“dear?”

Ellie’s smile never faltered. “Yes. I’m such a goose. I must have dropped it inside. I’ll just go and look for it. I won’t be a moment.”

She excused herself and walked into the theater, leaving her stepmother standing with her mouth open. Ben remained for a second longer before he realized what was happening and dashed back through the stage door.

“Hey, Ben, where ya been?” Ronald called out as Ben rushed by. “And just where are you going? Just because your dad’s the stage manager doesn’t mean you get to slack off.”

Benjamin ignored Ronald and dodged the obstacle course of the backstage area toward the curtain, nearly tripping on an overstuffed chair. The auditorium was empty. The footlights were dark, but the lights from the chandelier above the audience area glowed brightly, the crystal throwing rainbows around the room.

Ellie entered. She stopped for a moment, her eyes wary, and her hand against her stomach as if she were holding in her breath.

“Ellie?” Ben called her. “Ellie Banneker?

Her shoulders relaxed, and her breath came out in a whoosh. She paused for another breath before making her way down the center aisle toward Ben. The door closed behind her with a muffled thump, shutting out the murmurs of those who remained in the lobby. The theater dropped into an eerie quiet. Now that they were face-to-face, Benjamin’s excitement was replaced by overwhelming self-consciousness. He ran his sweaty palms through his hair, smoothing the runaway brown locks his mother would say needed trimming. He was suddenly aware of the way he was dressedhe looked like a ragamuffin compared to the upper class men Ellie must be used to. Her chestnut hair shone in the light, her green eyes wary but bright. Ben stopped near the first row, a lump in his throat, hoping she wouldn’t notice the scuffed tops of his shoes and his frayed shirt cuffs, and let her approach him.

“Benjamin Grimm? It is you.” Her smile widened, and it was as if the curtain had gone up in her eyes. The sadness Ben had seen before lifted, and she became a girl of seventeen. She reached out to him with her bare hand.

His nervousness evaporated like morning fog. He wiped his hand on his pants and then grasped hers tightly, catching the slight scent of soap and rose water.

Ben had expected the soft hand of the daughter of a prominent banker; hands used to doing embroidery and playing the piano. But there were calluses on her palm, the nails short and ragged. Her skin was pink and chapped. His expression must have given away some of his surprise, because when he released her hand, Ellie tucked it into the folds of her skirt. “I can’t believe that you… It’s been so long, Ben. You’ve grown.”

The look in her eyes made Ben decide to keep quiet about her hands. He was glad she had come in to see him. Having spent years under her stepmother’s care, he had worried she might have turned into a snob. “As have you, my lady.” His grin was large as he bent over in an exaggerated bow.

“Oh, please don’t. Ben, stop it this minute.” Ellie put her hands to her blushing cheeks, as if trying to hold back her smile.

Ben stood, laughing, and thrust his hands in his pockets. “I was hiding in the loft above the lobby and saw you come in tonight. I… didn’t recognize you at first. You’ve, uh, changed.” It was his turn to blush again as he remembered what he had been thinking about her curves.

“You’ve changed, too.” She squinted and looked closely at his face. “I can’t see any dirt. So your mother finally wrestled you into submission about keeping clean.”

Ben didn’t answer, only smirked and scratched the back of his head. “I tried to think how many years it’s been since I saw you last.”

“Seven.” Ellie’s reply was so soft he almost didn’t hear it. “Seven years. The last time I saw you, we were both ten, after…” she hesitated. “After my mother died.”

Ben’s smile faltered. “Yes, that’s right.” He felt stupid for forgetting, even more stupid for making her bring up something so obviously painful. His own mother had cried for days after her employer’s passing. Ellie’s mother had been a lovely woman, who had provided him with a seemingly endless supply of sweets.

Ellie shook her head as if shaking herself free of the edge of melancholy that had dropped over the conversation. “How is your dear mother? And your little brother? I’m sure he’s no longer the chubby-cheeked baby I remember.”

Ben shrugged. “Mother’s fine. She keeps busy running the bookshop. Harry is… he’s a little brother.”

Ellie wrinkled her nose and narrowed her eyes. “Being as I have no little brothers, I’ll have to assume you mean you love him dearly and can’t imagine life without him.”

“Not exactly, but I don’t want to ruin your image of me as a wholesome young man, so I won’t tell you what I really think about him. It wouldn’t be proper for me to say in front of a lady, anyway.”

“You think I’m a lady, do you? You might be surprised at some of the words I’ve used when no one is listening.” Ellie’s gaze wandered over the theater’s ceiling. There was a teasing note in her voice. “I never thought I’d see you working here. If I remember correctly, you said if you were going to be in the theater, it would be in front of the footlights. A magician, I believe it was?”

“I’m still working on that,” Ben’s reply was touched with defensiveness. “But now it’s illusion instead of straight magic, don’t you know that? It’s all the rage in Europe. Until I can find a backer, I need to work. My father, he’s the stage manager now. He got me the job, said it would do me good to learn a real skill.” He rolled his eyes.

Ellie raised an eyebrow. “He doesn’t approve of your career aspirations?”

Ben shook his head. “He lets me keep my workshop, but thinks I’m wasting my time.” He shrugged. “It’s better than the brickyard.”

Ellie laughed out loud, a pretty sound that rolled around the inside of the theater. She covered her mouth and glanced over her shoulder to make sure no one else had heard. When she stopped giggling, she looked at Ben and sighed. “I can’t stay, Ben, I don’t want to keep my stepmother waiting.” She glanced over her shoulder and back to Ben. “It was so good to see you again.”

Ben felt the words were weighted somehow, like a current pulling beneath the calm surface of a river. “It was good to see you again, too, Ellie.” There was so much more Ben wanted to say, seven years’ worth. He didn’t dare ask to see her again, though, and resigned himself to only having this stolen moment.

Ellie pulled on her “missing” glove and took Ben’s hand once more. “Goodbye, Ben.” She released him, but did not turn and leave. Instead, she studied him as if he were an interesting painting, her eyes glowing. The look brought on a sudden rush of memory. Ellie was up to something.

“Do you remember your promise?”

Ben was puzzled for a moment, and then he remembered. “Of course.”

“And are you still my friend?”

“Until we’re old and gray and have no teeth in our heads.” Ben smiled, waiting for her to laugh like always. But, just as the last time he had said it, up in the dark attic on their last meeting, she remained serious. With a bob of her head, she turned and was gone.

Ben remained frozen in place. Something wasn’t right with Ellie; he could feel it. There had been a darkness behind her smile he couldn’t place.

Ronald poked his head from between the curtains, jarring Ben from his thoughts. “If your clandestine rendezvous is over, boy-o, could you possibly find a moment to, I don’t know, do your job? Come on, we have to reset everything for tomorrow night.”

Ben stared at the door a moment longer, his body in the present but his mind following Ellie out the door. He rubbed his thumb over his lucky gear. “Yeah, yeah, hold yer horses, Ronny boy. I’m comin’.”

More Vera Bradley Disney bags???

Published July 10, 2015 by christinenorris

When Vera Bradley announced that it would be doing a Disney line in 2013, I was really excited! I love Disney, and I love Vera. My husband would say I have a bag addition. Well, maybe, but I need something to carry around my books in, right?

I actually got a Mousin’ Around hipster online to take on our vacation:

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Which has since been retired, by the way, so I’m glad I got it. I went looking to see what else they have now. OMG, guys. There are NEW patterns!

Mickey Mouse Icon Laser Cut Tote by Vera Bradley

Laser cut– not my thing, but very nice. A sophisticated, grown up Disney bag.

Mickey Mouse Icon Triple Zip Hipster Bag by Vera Bradley - Fuchsia

This one’s more my style — because it’s PINK. It comes in Black, too, though. Still, a more subtle pattern than most.

Mickey's Perfect Petals Hipster Bag by Vera Bradley

Mickey’s Perfect Petals. I don’t know about the color, but the pattern is super cute! I can’t remember if Disney Dreamin’ is new or not, but it’s also cute — almost like Mousin’ Around, but in Blue:

Mickey and Minnie Mouse Disney Dreaming Hipster Bag by Vera Bradley

Midnight with Mickey and Where’s Mickey? are still around, haven’t been retired yet. I see a couple that are on sale, though, so they might be retiring this year.

I am going to Disney next week, and Downtown Disney is our first stop. Maybe I’ll come home with a new bag…. And did I mention that the new outlet mall opening near me will eventually have a Vera Bradley outlet??? Yikes, I may be in trouble!

This is what going on vacation looks like — A Family Disney Adventure

Published July 9, 2015 by christinenorris

I’m giving you all a break from posts about CURSE — don’t worry, I have more scheduled. Since I am getting ready to go on vacation.

To Disney.

In July.

Being in education, there is really only one time to go on vacation. Summer. And my son earned his Disney vacation by getting Honor Roll every marking period for four straight years. He really did. And he’s leaving elementary school and starting middle school, so this is like a graduation present, too. When I started planning this expedition, I thought it would be easy. The travel agent we used DID make it simple — she did the itinerary, made the dining reservations, hooked up our stuff to Disney so that we can just relax.

Now we have to pack. Again, I thought it would be simple. We just pick out our clothes, pack all our stuff, and go. Then I started reading the sites and watching the videos about how to pack.

How. To. Pack. For. Disney.

This is like a cottage industry, folks. And people really spend TONS of time thinking about this. Way too much time. But hey, it helped me to feel like I needed to be way more nervous. So I, too, started strategizing about how to attack packing for this vacation so that we would get maximum enjoyment from our trip.

Here is what my dining room table looks like.

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There are mini spritzer fans, collapsible water bottles, hand wipes, rain ponchos, cooling towels, sunscreen, first aid kit, batteries, chargers, powder, and a ton of other stuff that I can’t even begin to list. Most of this is JUST for taking into the parks. I bought two cinch bags for us to use as well, as that was what was suggested.

I take less stuff when I go to a con. And I pack 2-3 costumes for those. Including corsets.

I did get some good tips from the sites, mainly to put all the small stuff in ziploc baggies. Great way to keep everything organized and dry. I feel like I’m going on safari and we haven’t even started packing regular stuff like clothes yet.

So, while I go crazy making sure my luggage isn’t over the weight limit for the plane and that the TSA isn’t going to want to do a strip search because I accidentally left a liquid in my carry on, you guys enjoy the posts I have scheduled for when I’m away.

Have a great week, lovelies!

A CURSE OF ASH AND IRON and THE ILLUSIONIST

Published July 5, 2015 by christinenorris

Just as I did lots of research for A CURSE OF ASH AND IRON, I also used some other things for inspiration. If you know me, you know I LOVE movies. I have an extensive DVD collection, as well a Netflix and Amazon Prime memberships. Any good storytelling, and I’m there.

When I was writing the book, I knew I wanted Ben to be an inventor. I threw in his working at the theater, well, because of family history reasons. Combining the theater, and the ‘real’ magic in the book, with the ‘invented’ magic of illusion as counterpoint was just my own genius working. Plus, illusion was a huge thing during the time period, so it all fit together, like kismet.

There were two movies that I ADORE that explore the magic of illusion in the 19th century — THE ILLUSIONIST and THE PRESTIGE. The have similar topics, but are very different films. THE PRESTIGE is more about a war between two illusionists and how their lives revolve around beating the other with greater and greater tricks.

THE ILLUSIONIST is a love story. It stars Ed Norton and Jessica Biel, among others, and takes place in late 19th century Austria. There’s a whole political subplot, but really the story is about Jessica Biel’s character, a Countess, and Ed Norton’s character, a working class guy. They meet as children and then lose track of each other…sound familiar? That’s about as far as this movie and A CURSE OF ASH AND IRON parallel each other. Except for the machines Eisenheim (Norton) makes for his show. Some might recognize the Orange Tree illusion in CURSE from this movie. Except that the movie got it from a real life illusionist, Jean Robert-Houdin (yes, that is where Houdini got his stage name from).

I used the orange tree rig and kind of modeled Ben after Eisenheim a bit. I watched the movie (I have it on DVD, of course) probably a dozen times for inspiration when I was writing CURSE. It a great film and if you like period love stories with really clever plots and interesting machines, I highly recommend it.

Now you know a little more about the story behind the story.

Have a great day, Lovelies!

A CURSE OF ASH AND IRON and the Centennial Exposition

Published July 4, 2015 by christinenorris

Happy Birthday America! Being the 4th of July, I have a little relevant post today 🙂

The book’s out now, and I think enough people have read it that I can do some posts about stuff IN the book. Don’t worry, no spoilers!

I did a lot of research for this book. A LOT. Because I like looking stuff up, first of all — hello, Librarian! Second, I needed something to connect to Ben’s love of building things. And the Centennial Exposition had all of that.

What was it? It was the FIRST World’s Fair held in America. And it celebrated the 100th anniversary of the USA. The Exposition went on almost all year long, with a special event for the 4th, which included President Grant appearing at Independence Hall AND the first time the Centennial Bell (remember, that bell that’s in National Treasure, and currently in the bell tower?) was rung.

The Expo filled up most of Fairmount Park in Philly, and it was everything you could ask for in a World’s Fair. Every country in the world had a building, where they showed off the best their country had to offer — textiles, food, culture.

The horticulture building was a huge glass structure full of plants.

The Mechanical Hall, however was the centerpiece. It was HUGE, and filled with every kind of machine, including the Corliss Steam Engine, which is where I had Ben discover what he needed to…well, spoilers, so no.

So, what happened to all the buildings once the Exposition was over? That’s a pretty interesting story. Many of them were demolished or moved. You can find out what happened to them on at the Free Library Of Philadelphia’s site. I used this site A LOT when I was writing CURSE. I wouldn’t have been able to finish the book without it!
Unfortunately, Horticulture Hall was destroyed by Hurricane Hazel. Of ALL the original buildings, only a few remain in place. The Ohio house, a couple of small out buildings, and Memorial Hall.


Memorial Hall currently houses the Please Touch Museum. They’ve kept the hall mostly in tact, with the gorgeous plaster trim, all very 19th century.  They ALSO have an AWESOME Alice in Wonderland interactive exhibit (and the Expo is also where my ALICE story takes place in Beware the Little White Rabbit) AND a FANTASTIC permanent exhibit about the Centennial Exhibition. Including a replica train station and a model of the WHOLE fair. Yes, I’ve been, it was glorious!

They ALSO have a replica of the Statue of Liberty’s arm made of old toys, which sounds weird. But the real arm WAS on display during the Exposition, and people could tour it. I mention it in CURSE (which was really fun to do).

Have a happy day, Lovelies!

The Story behind the Story — A CURSE OF ASH AND IRON

Published July 2, 2015 by christinenorris

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Okay, so now I have a chance to tell. I should have done before now, but yanno, as I explained, Murphy’s law was in full effect right around the time of the release and for the last week. It’s been so long since I released a book, since I WROTE this book, that I almost forgot what I was supposed to do after a book came out!

So here’s my story. Some of you will know some of this, those who have been following along at home.

CURSE began as an idea in Spring of 2008 (maybe? My memory is a mess as far as years go). The first chapter ended up as a writing assignment for a Creative Writing class or something that I was taking when I was getting my English degree. I continued to work on it, and the following spring, I think it was, I took the first 30 pages to a Mentoring Workshop sponsored by NJSCBWI. Which was one of the best things I ever did for myself, writing-wise. An editor at a major publisher gave me a critique, and I had a peer crit as well. I kept plugging away at it, and I think the first version was done in 2010. That was when I went to my first NJSCBWI annual conference. I made SO many new kidlit friends, and met so many industry people!

My peer crit group that year included Kit Grindstaff and (IIRC) Darlene Jacobson, who both have now published their books. We were the last group to finish and go to bed, way after midnight.

I submitted the book to many of the people I met at the conference, and was rejected by all. But I kept going, of course, because I loved this story. Eventually I would get the rejection that would change everything. I submitted the story to a really popular, really good agent. She was, at the time, my dream agent. And she was moving across country at the time, but still read my manuscript. And rejected it. BUT with a long, lovely rejection that told me exactly what she loved and what she didn’t like. And I took it all to heart, and…

I ripped the entire book apart and started again. Probably that was late 2010, early 2011. And since I wasn’t yet working full time, I could do it. I had started Grad School that January, so I was really busy. Before this, the whole Ellie-being-cursed thing didn’t exist. That’s a whole other story, but in the end I learned so much about storytelling from that re-write. The next year I went back to NJSCBWI and met another editor, who had become a friend. He read it over, and he suggested the prologue.

Anyway, after all that writing and re-writing and adding, in 2012 I got my first agent. And now I was working, and I was still working on the Library of Athena series (which WILL be finished, I promise!), and finishing Grad School. In 2013, me and my agent split. I had nearly given up on having an agent or a bigger publisher, even though I really believed the book deserved it. Then a friend told me she was interning with an agent that she thought I might want to submit to. So I checked out Jordy Albert at the Booker Albert Lit Agency. I read her profile and an interview or two with her.

She had me at Doctor Who.Seriously, we seemed to like all the same things, sounded like the perfect fit. I decided to give it one last go, and she said yes! Jordy is pretty awesome — I signed with her in August of 2013. We did revisions and she sent out the pitch. And sold it in six weeks to Strange Chemistry. I was ecstatic.

Then, as many of you know, SC closed. Three months before we were supposed to release, in June 2014. It was seriously difficult. One of those things that seems world-ending at the time. So much hard work, for nothing.

But Jordy pulled me through it. As soon as we were able, she sent to Curiosity Quills. They had actually made an offer before I signed with Jordy, but as it goes with such things, we didn’t take it the first time around. They were AWESOME and still wanted the book.

And the rest is history. So there you go. My long, LONG road to get this book published. Though the road was long and tough, and I almost gave up a couple of times, in the end it was worth it.

Murphy was here

Published June 29, 2015 by christinenorris

So, about a week ago, I made this big blog post about why I had been so absent from the blog. And I swore I would be back with blogs related to CURSE, and all kinds of other stuff.

And then, I disappeared for a week.

Well, darling readers, life is a weird and often unbelievable thing. Last Tuesday was a HOT day. Like, really hot. And we were predicted to get some heavy thunderstorms in the evening when the cold front came through to break it all up. Tuesday evening, about 6pm, my family and I stood on the back porch and watched the thunderheads roll in. And something else. Something I’ve never seen and was SO weird, almost like smoke swirling ahead of the storm. I walked inside and was greeted with the weatherman telling me there was a TORNADO WARNING for my county.

We ran to the basement just as the lights went out. The storm lasted about 15 minutes, but when we came back up, it was like something from a disaster film. Trees were laying sideways. Everywhere. Every road out of town was blocked.

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This walnut tree used to be between my neighbor’s house and mine, now it’s on his garage.

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Trees were snapped off at the top, but more were just toppled over, pulling the whole root system out of the ground.

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This one took the sidewalk with it.

Our local firehouse was all but destroyed. Telephone poles were snapped in half, flagpoles bent over. Dozens of homes are destroyed or unlivable. They say it wasn’t a tornado, and maybe the damage was too widespread. But my county has NEVER had anything so severe, not even Hurricane Sandy hit us this hard. More people lost power in THIS storm than in the whole STATE during Sandy. My TOWN, according to the electric company, was the hardest hit.

We had zero warning.  When the hurricanes come, I have days to prepare– batteries, gas, canned food, coolers prepared. We were not ready. So many people lost thousands of dollars in food, including many businesses. My power didn’t come back on until Saturday night, and some people still don’t have power. Cleanup was provided by the county, the township, the state, and the forestry service. I mean, there were trees through people’s homes. Electric companies from out of state came to help.

Thankfully my house and my family are safe. I will admit that I whined after about the third day of no power. Mostly because I was unprepared, as I said. And because there was no communication about when we would get power back. I fully own that I was frustrated, and annoyed about it. I wasn’t mad AT anyone, because it wasn’t anyone’s fault. It was just a frustrating situation.  And I feel HORRIBLE for those that lost homes. I think we only had one death, which, if you had seen the devastation in my town and all over the county, is simply AMAZING.

Anyway, that’s what happened. It was scary, more after than during. It was unbelievable that such a short storm could cause such horrible and deep devastation. Hopefully no more deterrents, and I can be here and blogging.

Until vacation in two weeks 🙂